{"id":2291,"date":"2020-03-25T19:31:36","date_gmt":"2020-03-25T19:31:36","guid":{"rendered":"https:\/\/leap.staging.ribbitt.com\/leap-group\/make-a-influencer\/"},"modified":"2022-08-10T14:53:38","modified_gmt":"2022-08-10T14:53:38","slug":"make-a-influencer","status":"publish","type":"post","link":"https:\/\/leap.staging.ribbitt.com\/leap-group\/make-a-influencer\/","title":{"rendered":"Make-A-Influencer"},"content":{"rendered":"<p><img decoding=\"async\" data-displaymode=\"Original\" title=\"Make-A-Influencer\" src=\"https:\/\/leap.staging.ribbitt.com\/wp-content\/uploads\/sites\/4\/2022\/08\/make-a-influencer.png\" alt=\"Make-A-Influencer\"><br \/>&#13;<br \/>\nScroll a few images through her Instagram feed, or listen to her tracks on Spotify, and <a href=\"https:\/\/www.instagram.com\/lilmiquela\/?hl=en\">@lilmiquela<\/a> may appear like a normal model\/singer\/influencer seen amongst other celebrities. On her feed, she has pictures with Olympian Morgan Lake, tattoo artist Dr. Woo and other recognizable names.<br \/>&#13;<br \/>\n<br \/>&#13;<br \/>\nHer classic hairstyle \u2013 Princess-Leia inspired buns \u2013 pairs nicely with brands she works with: Chanel, Louis Vuitton, Nike, Prada, Outdoor Voices, the list goes on. She also touts print features, including Paper Magazine, King Kong Magazine, Vogue and many others.&nbsp;<br \/>&#13;<br \/>\n<br \/>&#13;<br \/>\nBut April 19, Miquela posted a 6-page note, from her, to her followers, \u201ccoming out\u201d as a robot. Or, a CGI-generated \u201cbot.\u201d<br \/>&#13;<br \/>\n<br \/>&#13;<br \/>\n<strong>And then she broke the internet.&nbsp;<\/strong><br \/>&#13;<br \/>\n<br \/>&#13;<br \/>\nBefore this post, Miquela\u2019s followers were commenting on her photos, asking if she was real. Why her buns and flyaways were always in the same spot. And begging her to come clean about her identity as a robot. Once the Brazilian-American-inspired \u201cmodel\u201d came clean, comments read:<\/p>\n<p>&#13;<\/p>\n<h4>@brransdell \u201cso what you\u2019re saying is, there\u2019s robots already made to the extent that they are considered human? Sis- no. what is this account\u201d<br \/>&#13;<br \/>\n<br \/>&#13;<br \/>\n@awkwardly_annoying_ \u201cBIGGEST PLOT TWIST OF THE CENTURY.\u201d<br \/>&#13;<br \/>\n<br \/>&#13;<br \/>\n@kikilovespupslol \u201cthe moment we have all been waiting for\u201d<\/h4>\n<p>&#13;<\/p>\n<p>Vogue dubbed her the \u201cFictional It Girl.\u201d Followers may have noticed Miquela\u2019s striking consistencies, but she was too close to the Uncanny Valley to ultimately determine without her 6-page letter.&nbsp;<br \/>&#13;<br \/>\n<br \/>&#13;<br \/>\nJapanese Roboticist Masahiro Mori coined the term \u201cuncanny valley\u201d in 1970 when he surmised as robots become more human-like, but not quite human, people developed a sense of discomfort.&nbsp;<br \/>&#13;<br \/>\n<br \/>&#13;<br \/>\n<img decoding=\"async\" data-displaymode=\"Original\" title=\"Make-a-influencer-3\" src=\"https:\/\/leap.staging.ribbitt.com\/wp-content\/uploads\/sites\/4\/2022\/08\/make-a-influencer-3.png\" alt=\"Make-a-influencer-3\"><br \/>&#13;<br \/>\n<br \/>&#13;<br \/>\nAside from Miquela, there are a total of four CGI-created personas. Bermuda (<a href=\"https:\/\/www.instagram.com\/bermudaisbae\/?hl=en\">@bermudaisbae<\/a>) and Blawko (<a href=\"https:\/\/www.instagram.com\/blawko22\/?hl=en\">@blawko22<\/a>) \u2013 we felt it necessary to share their handles, since they only live via the internet \u2013 are allegedly created by the same company as Miquela \u2013 a Los Angeles based start-up called Brud. Shudu (<a href=\"https:\/\/www.instagram.com\/shudu.gram\/?hl=en\">@shudu.gram<\/a>) is the \u201cWorld\u2019s First Digital Supermodel,\u201d created by British photographer Cameron-James Wilson.<br \/>&#13;<br \/>\n<br \/>&#13;<br \/>\nBut, mirroring reality TV, there\u2019s drama between Miquela, Blawko and Bermuda. For those interested, it looks a little like this:<br \/>&#13;<br \/>\n<br \/>&#13;\n<\/p>\n<p>&#13;<\/p>\n<ul>&#13;<\/p>\n<li>Blawko + Bermuda used to date. It did not end well, causing the two to make negative memes about each other.<\/li>\n<p>&#13;<\/p>\n<li>Bermuda blamed Miquela for their breakup. Therefore, she \u201chacked\u201d Miquela\u2019s account and posted pro-Trump content.<\/li>\n<p>&#13;<\/p>\n<li>After she got her account back, Bermuda told Miquela her real identity as a robot, prompting Miquela to post the 6-page note.<\/li>\n<p>&#13;<\/p>\n<li>Miquela learns Blawko knew they were robots this entire time, and did not tell her. Miquela posts they\u2019re no longer friends.<\/li>\n<p>&#13;<\/p>\n<li>Fast-forward a month, Miquela and Blawko back to being friends. Blawko and Bermuda still work with <a href=\"http:\/\/www.brud.fyi\/\">Brud, the company that reportedly created them<\/a>, but Miquela describes herself as a \u201cfree agent.\u201d<\/li>\n<p>&#13;\n<\/ul>\n<p>&#13;<\/p>\n<p>Digital supermodel Shudu also received backlash when she posted an image wearing orange lipstick from Rihanna\u2019s beauty line, Fenty Beauty, and tagging the brand. The post gained her close to 90,000 followers on Instagram. Once her true identity was revealed, followers asked why not pay an human model of color instead of creating a digital one. Shudu\u2019s perfectly sculpted abs and arm muscles are a topic for another conversation.<br \/>&#13;<br \/>\n<br \/>&#13;<br \/>\nWilson defends he never intended to be deceptive about Shudu, but instead sees her as a \u201c\u2019virtual\u2019 celebration of beautiful, dark-skinned women,\u201d according to BBC. Shudu became an influencer despite his artistic intentions \u2013 though he was controlling her account. As a result, Wilson decided transparency was the best policy.&nbsp;&nbsp;<br \/>&#13;<br \/>\n<br \/>&#13;<br \/>\nThese negative reactions act as marketing tools for the CG\u2026humans? If you will.<br \/>&#13;<br \/>\n<br \/>&#13;<br \/>\nThe social media production surrounding the Brud influencers garnered increased engagement on their social posts. Comments were calling them out for being fake and expressing emotions that, as we all know, robots do not feel. The drama pushed Miquela\u2019s and Bermuda\u2019s accounts to over 1 million followers. Brud is now using the two accounts to help Blawko to 1 million.<br \/>&#13;<br \/>\n<br \/>&#13;<br \/>\nThe more followers, the more marketing opportunities. Brands like Fear of God, Supreme as well as supportive LGTBQ movements are utilizing these \u201cbots\u201d to post content that resonates with their audience \u2013 without having to worry about a human-based schedule or already strategized \u201cbrand.\u201d&nbsp;<br \/>&#13;<br \/>\n<br \/>&#13;<br \/>\nFashion news editor for The Cut, Emilia Pertrarca found these CGI-bots are not difficult to make. The Cut\u2019s motion graphics creator mirrored Miquela in 48 hours using Fuse, 4D and Photoshop.<br \/>&#13;<br \/>\n<br \/>&#13;<br \/>\nKnowing these secrets, Pertrarca said, \u201cyou can make a whole army of them.\u201d&nbsp;<br \/>&#13;<br \/>\n<br \/>&#13;<br \/>\n<strong>And you can.<\/strong><br \/>&#13;<br \/>\n<br \/>&#13;<br \/>\nBrands have the freedom to develop these personas and ultimately use them to their marketing and influencer advantage. Additionally, Quantum Capture, a Toronto-based company focused on VR and AR, believes it might soon become commonplace for Instagram influencers to have CGI alter egos or to create digital doubles.&nbsp;<br \/>&#13;<br \/>\n<br \/>&#13;<br \/>\nLEAP has created a similar \u201cpersona\u201d for one of our clients. Through a marketing campaign brainstorm, we characterized a Blue Solo Cup, giving it a personality to act as a mascot for a brand.<br \/>&#13;<br \/>\n<br \/>&#13;<br \/>\nThe difference: People know that a Blue Solo Cup cannot come to life. They didn\u2019t know Shudu wasn\u2019t real.<br \/>&#13;<br \/>\n<br \/>&#13;<br \/>\nIf a brand were to curate a CGI bot to use it as a promotion for their brand, director of LEAP Amp, Ruby DeWitt believes the brand must be transparent, or it wouldn\u2019t be ethical.<br \/>&#13;<br \/>\n<br \/>&#13;<br \/>\nAdditionally, The Cut points out the Federal Trade Commission requires influencers to disclose when they\u2019re paid to tout a product. So far, none of the CGI-bots have included \u201c#ad\u201d or \u201c#sponsored\u201d in their posts.<\/p>\n<p>&#13;<\/p>\n<h3>Authenticity<\/h3>\n<p>&#13;<\/p>\n<p><img decoding=\"async\" data-displaymode=\"Original\" title=\"MAke-A-Influencer-2\" src=\"https:\/\/leap.staging.ribbitt.com\/wp-content\/uploads\/sites\/4\/2022\/08\/make-a-influencer-2.png\" alt=\"MAke-A-Influencer-2\"><br \/>&#13;<br \/>\nThough CGI-rendered bots may seem more convenient at face-value, that doesn\u2019t mean they\u2019re right for every brand. Dewitt said brands should be prepared to rely on CGI influencers, but \u201cit\u2019ll end up being all about audiences.\u201d Before buying in, companies need to determine if it needs or wants to reach Miquela\u2019s followers.<br \/>&#13;<br \/>\n<br \/>&#13;<br \/>\nAdditionally, Millennials value authentic and transparent content. How authentic can a brand or product promotion actually be considered if they are using a fake influencer to promote their products or services.<br \/>&#13;<br \/>\n<br \/>&#13;<br \/>\nIn a May 2018 article by Adweek, Richard Wong writes \u201cThe future of influencer marketing is going to be driven by technological advancements to make the process of brands working with influencers more efficient, to provide better matches and to improve ways to measure its impact.\u201d&nbsp;<br \/>&#13;<br \/>\n<br \/>&#13;<br \/>\nIn today\u2019s quick-moving and ever-adapting digital world, it\u2019s easy to be trigger happy when it comes to new technological toys. And these bots are certainly \u201cWestworld\u201d-inspired pieces of technology. But that doesn\u2019t mean using a bot is ultimately easier.&nbsp;<br \/>&#13;<br \/>\n<br \/>&#13;<br \/>\nThe uncanny valley exists, authenticity exists, and your brand has to determine the line between staying on top of trends and risking a core business value.&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Scroll a few images through her Instagram feed, or listen to her tracks on Spotify, and @lilmiquela may appear like a normal model\/singer\/influencer\u2026<\/p>\n","protected":false},"author":43,"featured_media":2296,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[101,46],"issue":[23],"collection":[],"class_list":["post-2291","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-experiential","tag-social","issue-humans-vs-robots"],"acf":[],"gutentor_comment":0,"_links":{"self":[{"href":"https:\/\/leap.staging.ribbitt.com\/leap-group\/wp-json\/wp\/v2\/posts\/2291","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/leap.staging.ribbitt.com\/leap-group\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/leap.staging.ribbitt.com\/leap-group\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/leap.staging.ribbitt.com\/leap-group\/wp-json\/wp\/v2\/users\/43"}],"replies":[{"embeddable":true,"href":"https:\/\/leap.staging.ribbitt.com\/leap-group\/wp-json\/wp\/v2\/comments?post=2291"}],"version-history":[{"count":0,"href":"https:\/\/leap.staging.ribbitt.com\/leap-group\/wp-json\/wp\/v2\/posts\/2291\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/leap.staging.ribbitt.com\/leap-group\/wp-json\/wp\/v2\/media\/2296"}],"wp:attachment":[{"href":"https:\/\/leap.staging.ribbitt.com\/leap-group\/wp-json\/wp\/v2\/media?parent=2291"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/leap.staging.ribbitt.com\/leap-group\/wp-json\/wp\/v2\/categories?post=2291"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/leap.staging.ribbitt.com\/leap-group\/wp-json\/wp\/v2\/tags?post=2291"},{"taxonomy":"issue","embeddable":true,"href":"https:\/\/leap.staging.ribbitt.com\/leap-group\/wp-json\/wp\/v2\/issue?post=2291"},{"taxonomy":"collection","embeddable":true,"href":"https:\/\/leap.staging.ribbitt.com\/leap-group\/wp-json\/wp\/v2\/collection?post=2291"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}